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We start our tour at the interior of the church and follow the weighty looking tower rising through the centre of the brickwork. Still hanging in the tower is the first ever all metal bell frame installed in a church tower in the world.  The pictures show some of the fantastic stonework which has survived and has been cleaned up after the war, when the contrast from the interior of the church to the tower was like black and white.  Following the interior around, we see the stained glass in all its glory, virtually invisible to the naked eye, the use of the latest technology can again bring you close.

To date, there has been very little information found on the stained glass windows, their history, their development and the original plans for the windows. I am convinced that a set of full templates must survive somewhere in the city archives but all we have to go on - which are amazing in their own right, are the contemporary black and white pictures that were sourced by Bryan McCahey.
  And of course, the only painting of the stained glass which can be found on the interior page. The question remains whether modern technology would be ever able to correctly 'colour' the black and white images given their intricate design and colourful nature.  Some of these glass works are now over 200 years old!

To the left we see the almost plain stained glass, a fragment which is found to the left hand side of the church.  Why was this section of stained glass so bare? Was it damaged in WW1 and thus only basic stained glass could be used due to funds?

To the right, we see the entire window. Notice the complete sections on both sides, but the small strips of glass left in situ.

We see more intricate stained glass in this view. This window can be found fifth along on the left hand side of the Church (facing the Altar window). Both fragments of glass are still intact with full use of colour in both sides. This window was next to the pulpit so would have been a well viewed window.

The left hand side part of the church doesn't get direct sunlight so this window would have never 'lit up' from outside, but it is a view that goes almost unnoticed until you stop and look up at the fragments left.

To the left we see the lower portion of the window above.
 
Having walked past this window for months, the lower part of the stained glass appeared not to jump out until one sunny afternoon when I finally noticed them! It goes to show how hard one can look at the Church and still find new images to view!

To the right, we see the window in full. Again, this would have been the window that people would have gazed at while listening to the Vicar at the Pulpit next to it.

 Maybe this was one of the most elaborate windows for that very reason!

We must go back to the original stained glass altar window to see the full loss of the stained glass. To see the sun beat down on this window in full colour when the rest of the church would have been unlit would have been truly stunning.

Viewing the altar window now, two full fragments of glass have remained and very small inscriptions and broken glass surrounds them in alternate windows.

To the right of the altar window is another window which has two full pieces of glass still in situ. This time, a circular effect on the stained glass rather than the square effect in the opposite window across the chancel.
 
This window does get full light from the sun and is to be seen at best while standing in the chancel area.